CV

 

VIKKY ALEXANDER

b. 1959, Victoria, British Columbia, Canada Lives and works in Montreal, Canada

education ———   

BFA, Nova Scotia College of Art and Design, Halifax, Canada 1979




selected solo and duo exhibitions ———      

2023

World Light, TrepanierBaer Gallery, Calgary, AB

Between Dreaming and Living, PHOTO OP, Auckland, New Zealand

2022

Les Jardins de Versailles, Wilding Cran, Los Angeles, CA

2021

Illusions are real, Manif d’Art Biennale de Québec, VU, Québec City, QC

Between Dreaming and Living, Capture Photo Festival Billboard, Vancouver, BC

2020

A kiss is the beginning of cannibalism, Downs & Ross, NY

American Gardens, Planet Earth LLC, Woodbridge, CT

Nordic Rock, Fonderie Darling, Montréal, QC

2019                       

Vikky Alexander: Extreme Beauty, Vancouver Art Gallery, Vancouver, BC                   

2018                       

Between Dreaming & Living, COOPER COLE, Toronto, ON

Other Fantasies, TrépanierBaer, Calgary, AB

Vertical Dreams, Wilding Cran Gallery, Los Angeles, CA

Vikky Alexander: The Spoils of the Park, Canada House, London, United Kingdom       

2017

Between Dreaming & Living, Chernoff Fine Art, Capture Photography Festival, Vancouver, BC

Commercial Curtain, site-specific installation commissioned by South Asian Canadian Histories Association (SACHA), Main St., Vancouver, BC

Model Suite (Sliding Door), site-specific installation commissioned by the Contemporary Art Gallery for the Yaletown–Roundhouse Canada Line Station, Vancouver, BC

Unnatural Horizon, L’Escalier, Montréal, QC

Vikky Alexander (1981–83), Downs & Ross, New York, NY

Vikky Alexander and Marie-Michèle Deschamps, Raising Cattle, Montréal, QC

2016                       

The Temptation of Saint Anthony, COOPER COLE, Toronto, ON                       

2015

Istanbul Showrooms, La Vitrine, Atelier Daigneault/Schofield, Montréal, QC                   

The Troublesome Window, TrépanierBaer, Calgary, AB

2014

Theatregarden Beastiarium, Wilding Cran Gallery, Los Angeles, CA                   

Vikky Alexander: The Temptation of St. Anthony, The Apartment, Vancouver, BC

2011

Island, TrépanierBaer, Calgary, AB               

2010   

Houses of Glass, The Engine Room Gallery, Massey University, Wellington, New Zealand               

Paris Showrooms, TrépanierBaer, Calgary, AB Paris Showrooms, Luz Gallery, Victoria, BC

2009

Lobby Mural, Camera condominium, Vancouver, BC 

2008                   

Lost Horizons, TrépanierBaer, Calgary, AB

2007                   

Model Suites (w/ Micah Lexier), TrépanierBaer, Calgary, AB               

2004

Vikky Alexander, State Gallery, Vancouver, BC

Vikky Alexander: The West Edmonton Mall Series, Surrey Art Gallery, Surrey, BC

2003

New Works, TrépanierBaer, Calgary, AB 

2000               

Vaux-le-Vicomte Panorama, National Gallery of Canada, Ottawa, ON Vikky Alexander, Catriona Jeffries, Vancouver, BC                   

1999                   

Recent Acquisitions: Vikky Alexander, MacKenzie Art Gallery, Regina, SK Vaux-le-Vicomte Panorama, Contemporary Art Gallery, Vancouver, BC               

1998       

Garden City, TrépanierBaer, Calgary, AB

Vikky Alexander, Art Gallery of Windsor, Windsor, ON               

1997

Vikky Alexander, Edmonton Art Gallery, Edmonton, AB Vikky Alexander, Catriona Jeffries, Vancouver, BC

1996

À la recherche du temps perdu, Catriona Jeffries, Vancouver, BC

Between Dreaming & Living, Presentation House Gallery, North Vancouver, BC Vikky Alexander: Crystal World; New Works, TrépanierBaer, Calgary, AB               

1994   

Vikky Alexander and Robert Youds, Project, Vancouver, BC

Vikky Alexander and Uta Barth, Domestic Setting, Los Angeles, CA               

1993

Modern Landscapes, TrépanierBaer, Calgary, AB Vikky Alexander, Mercer Union, Toronto, ON

1992

Lake in the Woods, Vancouver Art Gallery, Vancouver, BC

Vikky Alexander (w/ Roger Bellemare), Galerie Brenda Wallace, Montréal, QC               

1991

De Natura: Collaborative Works by Vikky Alexander and Ellen Brooks, travelling exhibition: Dorothy Goldeen Gallery, Los Angeles, CA, 1991; Ansel Adams Center, San Francisco, CA, 1992; Wooster Gardens, New York, NY, 1992

1990

Vikky Alexander and James Welling, Kunsthalle Bern, Bern, Switzerland 

1989               

Petrosino Park Project, for Lower Manhattan Cultural Council, New York, NY Vikky Alexander, Galerie Brenda Wallace, Montréal, QC

1988               

De Lege Ruimte, Brugges, Belgium

Stride Gallery, Calgary, AB

1987               

CASH/Newhouse Gallery, New York, NY

ACE Contemporary Exhibitions, Los Angeles, CA

Julian Pretto, New York, NY

1986               

CASH/Newhouse Gallery, New York, NY

Vikky Alexander and Ian Wallace, Coburg Gallery, Vancouver, BC

1985               

Window Installation, The New Museum of Contemporary Art, New York, NY

CASH/Newhouse Gallery, New York, NY

Axe Neo-7, Centre d'art contemporain, Hull, QC

1984               

CEPA, Metro Bus Show, Buffalo, NY

1983

Obsession, A&M Artworks, New York, NY

Obsession, Coburg Gallery, Vancouver, BC

CEPA, Buffalo, NY

1982

Family Entertainment, A&M Artworks, New York, NY





selected group ———     


2024

Black and White and Everything In Between: A Monochrome Journey, Vancouver Art Gallery, Vancouver, BC 

2022

Legally Blonde, Downs and Ross, New York, NY

Objects of Desire: Photography and the Language of Advertising, Los Angeles County Museum of Art, CA 

Papier Art Fair, TrépanierBaer Gallery, Montréal, QC

Paradeisos, Galerie Nicolas Robert, Montréal, QC

2021

True Pictures?, Sprengel Museum, Hannover, Germany & Museum der Moderne, Salzburg, Austria

Parallax, Galerie Éphémère, Montréal, QC

True Pictures?, Sprengel Museum, Hannover, Germany & Museum der Moderne, Salzburg, Austria

Pictures and Promises, Vancouver Art Gallery, Vancouver, BC

Everywhere We Are, Contemporary Calgary, Calgary, AB

La machine qui enseignait des airs aux oiseaux, Musée d’Art Contemporain, Montréal, QC

2020

Everywhere We Are, The Nickle Galleries, University of Calgary, AB

2019

Exposure Photography Festival: Vikky Alexander, Danny Singer, Stéphane La Rue, TrépanierBaer, Calgary, AB

2018

NADA Miami Beach, Downs and Ross

Guarded Future: Vikky Alexander, Ellen Brooks, Judy Chicago, Karen Sylvester , Downs and Ross, New York, NY

Art Toronto 2018, TrépanierBaer Gallery

2017

Narrative Art, Musée d'art moderne et contemporain, Genève, Swizerland Curated by  Paul Bernard, Lionel Bovier and Julien Fronsacq

Making Pictures: Vikky Alexander, IAIN BAXTER&, Fred Herzog, Geoffrey James, Danny Singer, Exposure Photography Festival, TrépanierBaer Gallery, Calgary, AB

PAPIER17, TrépanierBaer Gallery, in Montréal, QC

Art Toronto 2017, Downs and Ross, Toronto, ON 

Song of the Open Road: Vikky Alexander, Robert Arndt, Gerard Byrne, Jacqueline Hoàng Nguyễn, Kelly Jazvac, Kelly Lycan, Niamh O’Malley, Dawit L. Petros, Greg Staats and Lisa Tan, Contemporary Art Gallery, Vancouver, BC

2016

Aujourd’hui Encore: Vikky Alexander, Shary Boyle, Lyse Lemieux, Luanne Martineau, Meryl McMaster, Nadia Myre, Beth Stuart, Carol Wainio, TrépanierBaer Gallery, Calgary, AB

Haunting Holbein: Evan Penny, Christian Eckart, Vikky Alexander, TrépanierBaer, Calgary, AB

2015

Traces that Resemble Us, Monte Clark Gallery, Vancouver, BC
White Columns Benefit, NYC, NY

Beasts, with Lorraine Simms and David Blatherwick, Vieux Presbytere, Saint-Bruno-de-Montarville, QC

Store/Fronts: Vikky Alexander, Josephine Meckseper and Jenny Holzer, National Gallery of Canada @ Museum of Canadian Contemporary Art, Toronto, ON

Haunting Holbein: Evan Penny, Christian Eckart, Vikky Alexander, Art Toronto – Booth C24

2014

Through the Looking Glass, Art Gallery of Greater Victoria, Victoria, BC

Exposure: Photography Festival 2014, TrépanierBaer, Calgary, AB

Macho Man, Tell It To My Heart – with Julie Ault, Artist’s Space, New York, NY

Unreal, Kelowna Art Gallery, Kamloops Art Gallery, BC

Decade, Christine Klassen Gallery, Calgary, AB

Wilding Cran Gallery, Los Angeles, CA

2013

Papier Art Fair, Montréal, Québec with TrépanierBaer

Tell It To My Heart – with Julie Ault, Museum for Gegenwartskunst, Basel, Switzerland and CultureGest, Lisbon, Portugal

Unreal, Evergreen Cultural Centre, Coquitlam, BC

Paradox, Legacy Art Gallery, Victoria, BC

Passion and Panache, Western McIntosh Gallery, London, ON

2012

Builders, National Gallery of Canada, Ottawa, ON

Collector’s Choice, Winchester Modern, Victoria, BC

Cut & Paste: An Exhibition of Canadian Collages, Equinox Gallery, Vancouver, BC

c.1983 Part II, Presentation House Gallery, Vancouver, BC

Untrue North, Yukon Art Centre, Whitehorse, YK

Street Life: The City As Muse, Museum of Contemporary Art, Calgary, AB

2011

You Would, Kathleen Cullen Fine Arts, New York City, NY

The Last Frontier, Art Gallery of Nova Scotia, Halifax, NS

Unreal, Vancouver Art Gallery, Vancouver, BC

2009

Heartland, Toronto International Art Fair, curated by Jeffrey Spalding, Toronto, ON

Royal Canadian Academy of Arts: A Celebration of Art, Architecture and Design TrépanierBaer, Calgary, AB

Living Room, National Gallery of Canada, Ottawa, ON

2008

SCOPE Art Fair, Miami, Florida with TrépanierBaer

Let Me Be Your Mirror, MacKenzie Art Gallery, Regina, SA

The Tree: From the Sublime to the Social, Vancouver Art Gallery, Vancouver, BC

Toronto International Art Fair (TrépanierBaer), Toronto, ON

SCOPE Miami, TrépanierBaer Booth, Miami, FL

I Have (no) Issues, Lawrence Eng Gallery, Vancouver, BC

2006

75 Years of Collecting: The Road to Utopia, Vancouver Art Gallery, Vancouver, BC

Found in Pop:  6 Artists, TrépanierBaer Gallery, Calgary, AB

2005

Intertidal: Vancouver Art and Artists, MuHKA, Antwerp, Belgium

Collection Pierre Huber, Le Musee canonal des Beaux-Arts de Lausanne, Switzerland

SCOPE Art Fair, New York, NY

From New Image to New Wave: Legacy of NSCAD in the Seventies, Art Gallery of Nova Scotia, Halifax, NS

20 Years of Contemporary Art, Stride Gallery, Calgary, AB

Mirror, Mirror, Canadian Glass and Clay Gallery, Waterloo, ON

2004

State Gallery, Vancouver, BC

Toronto Art Fair, Toronto, ON

Vancouver Art Gallery Benefit Auction, Vancouver, BC

Contemporary Art Gallery Benefit Auction, Vancouver, BC

Presentation House Art Gallery Benefit Auction, Vancouver, BC

2003

Toronto International Art Fair (TrépanierBaer), Toronto, ON

Drawing on Architecture, Atelier Gallery, curated by Patrik Andersson, Vancouver, BC

2002

Show & Tell, Group Show, Calgary, AB

Toronto International Art Fair, (Trépanier Baer), Toronto, ON

Supporting Roles: Photo-based work of the 1990’s, Mackenzie Art Gallery, Regina, SK

This Place, Vancouver Art Gallery, Vancouver, BC

Design Benefit, Ontario College of Art, Toronto, ON

2001

Photo Roman, Medicine Hat Museum and Art Gallery, Medicine Hat, AB

Group Exhibition, TrépanierBaer, Calgary, AB

2000

London Regional Art Museum, The Single Tree, London, ON

With the Grain: Contemporary Panel Painting, Whitney Museum of American Art at Phillip Morris, NY, and at Stamford, CT, curated by Roni Feinstein

PastFutureTense, Winnipeg Art Gallery & Vancouver Art Gallery, Winnipeg, MB, Vancouver, BC, curated by Bruce Ferguson and Gary Dufour

The Experience of Landscape, Whitney Museum of American Art, Nassau Street, New York, NY, curated by Karl Willers

Towards a History of the Found Object, Mendel Art Gallery, Saskatoon, SK, curated by Bruce Grenville

In the Beginning, Cleveland Center for Contemporary Art, Cleveland, OH, curated by Bill Radawec  

1989

Hybrid Neutral, travelling show curated by Collins and Milazzo, Linda Farris Gallery, Seattle, WA

Abstraction in Contemporary Photography, Hamilton College, Clinton, NY and VA Commonwealth University, curated by Jimmy de Sana

1988

Galerie Pierre Huber, Geneva, Switzerland

ACE Contemporary Exhibitions, Los Angeles, CA

Cultural Participation, an installation by Group Material at DIA Art Foundation, New York, NY

Fabrications, Harvard University, Boston, MS, curated by Anne Hoy

Mutations, Annina Nosei Gallery, New York, NY

Media Post Media, Scott Hanson Gallery, New York, NY, curated by Collins & Milazzo

Art Gallery of Windsor, Windsor, ON

Sequence(Con)Sequence: Photographic Multiples of the Eighties, Bard College, NY, curated by Julia Ballerini

1987

Material Fictions, 49th Parallel, New York, NY, curated by France Morin

Robbin Lockett Gallery, Chicago, IL

New Territories in Art: Europe-America, Rome, Italy, curated by Achille Bonito Oliva and Annina Nosei

The Art of the Real, Galerie Pierre Huber, Geneva, Switzerland (also at De Appel, Amsterdam, Lyon)

The Castle, an installation by Group Material at Documenta 8, Kassel, West Germany

Spatial F/X, Annina Nosei Gallery, New York, NY

Art since1984, Nexus, Atlanta, GA

1986

Arts and Leisure, The Kitchen, New York, NY, curated by Group Material

CASH/Newhouse Gallery, New York, NY

New New York, Cleveland Center for Contemporary Art, Cleveland, OH

1985

Castelli Uptown, New York, NY

303 Gallery, New York, NY

Seduction: Working Photographs, White Columns, NY, curated by Marvin Heiferman

1984

The New Capital, White Columns, NY, curated by Collins & Milazzo

The Stolen Image and its Uses, Lightworks, Syracuse, NY, curated by Abigail Solomon Godeau

1982

Resource Material, Bard College, Annandale, NY, curated by Stephen Frailey




awards and grants———




2022

Civitella Ranieri Visual Arts Fellow, Umbria, Italy

2017   

Long-listed for the Scotiabank Photography Award

2009   

La Cité internationale des arts, Paris, France, 2 month studio residency

2004   

Canada Council Established Artist’s Grant

1996   

BC cultural Award in Visual arts

1995   

Canada Council Paris Studio Residency, Paris, France

British Columbia Cultural Award in Visual Arts

1992   

Artist-in-Residence Program, LightWorks, Syracuse, February

1991   

Canada Council Visual Arts Grant, Type B

1990   

Ontario Ministry of Culture & Communication "Arts Abroad"

London Life "Young Contemporaries" Purchase Award

1989   

Canada Council Visual Arts Grant, Type B

1987   

Canada Council Visual Arts Grant, Type B

1985   

Canada Council Projects Grant

1984   

Canada Council Visual Arts Grant, Type B

1983   

Canada Council Visual Arts Grant, Type B

1982   

Ontario Arts Council, Photography Grant, Type B

 

collections———


Air Canada

Art Gallery of Nova Scotia, Halifax, Nova Scotia

The Apartment, Vancouver, British Columbia

British Gas Corp., London, England

Canada Council Art Bank, Ottawa, Ontario

Capital Group, Los Angeles CA

Claridge Inc., Montréal, Quebec

Concordia University Collection, Montreal, Quebec

Deste Foundation, Athens, Greece

Edmonton Art Gallery, Edmonton, Alberta

Goldman Sachs Ltd., Toronto, Ontario and New York, New York

Glenbow Museum, Calgary, Alberta

Hammer Museum, Calgary, Alberta

Household Finance Corporation, Toronto, Ontario

International Centre for Photography, New York, New York

Kenderdine Art Gallery, University of Saskatoon, Saskatchewan

Light Work Collection, Syracuse University, Syracuse, New York

London Life Insurance, London, Ontario

MacKenzie Art Gallery, Regina, Saskatchewan

Microsoft Corporation, Redmond, Washington

Morris and Helen Belkin Art Gallery, UBC, Vancouver, British Columbia

Museum of Contermporary Art, Los Angeles, California

National Gallery of Canada, Ottawa, Ontario

New School for Social Research, New York, New York

Nickel Arts Museum, Calgary, Alberta

Osler Hoskins Harcourt, Ottawa, Ontario

PepsiCo. Canada Ltd., Montreal, Quebec

Polaroid Corporation, Rochester, New York

Progressive Corporation, Ohio

Prudential Insurance Co., Newark, New Jersey

Royal Bank of Canada, Toronto, Ontario

Smith College Art Museum, Northhampton, MA

Surrey Art Gallery, Surrey, British Columbia

The Long Group, Toronto, Ontario

The New School for Social Research, New York, NY 

University of Lethbridge Art Gallery, Lethbridge, Alberta

Vancouver Art Gallery, Vancouver, British Columbia

Willis Corroon Corp.

Winnipeg Art Gallery, Winnipeg, Manitoba

Various Private Collections in Canada, Europe and the United States




published writing & artist’s projects ———



2013    

Capture 1.0, photo festival catalogue, writing on Laura Dutton, Peer to peer

2010    

Sonic Youth: Sensational Fix, Edited by Roland Groenenboom.

2009    

Grotto Star, artist’s book, 25 pages, Flask Publications

1993    

Absolut Vodka Benefit Ad, American Photographer, May 1993 

1987   

"Vertical Dreams", C Magazine, No. 12, 1987

1985    

Artist's Statement, Rear Window exhibition companion, New Museum of Contemporary Art, New York

1984    

"Canada/New York," Review, Vanguard, Summer 1984, p. 36

1980-81

“Design Office” with Kim Gordon


catalogues———



Objects of Desire Photography and the Language of Advertising, LACMA, Delmonico Books, Rebecca Morse, 2022



Éphémère Forever 20 ans de la Fonderie Darling, Fonderie Darling, Caroline Andrieux, Vincent Bonin, 2022


Vikky Alexander: Extreme Beauty, Vancouver Art Gallery, Figure 1 Publishing, with essays by Daina Augautis, Vincent Bonin, Leah Pires and Nancy Tousley, 2019

Vikky Alexander: The Spoils of the Park
, Canada House, London, United Kingdom, 2018, essay by Annabel Osberg

Paradox,
Legacy Art Gallery, Victoria, BC., Mary Jo Hughes, 2013

Builders: Canadian Biennial 2012
, National Gallery of Canada, with essays by Jonathan Shaughnessy, Ann Thomas, Christine Lalond, Andrea Kunard, Heather Anderson, 2012

Let Me Be Your Mirror,
MacKenzie Art Gallery, Regina, Saskatchewan, 2008

If Walls Had Ears: International Art 1984-2004, De Appel, Amsterdam, Netherlands, Edna Van Duyn, ed.,  2006

Intertidal: Vancouver Art and Artists, MuHKA, Antwerp, Belgium and Morris and Helen Belkin Gallery, Vancouver, Dieter Roelstraete and Scott Watson ed., 2005

Ritual and Religion, Robert B. Menschel Photography Gallery, Syracuse University, NY., essay by Darina Miller Parmenter, 2002

Photo Roman,  Medicine Hat Museum and Art Gallery, Medicine Hat, AB, essay by Joanne Marion, 2002

The Single Tree, London Regional Art Museum, London, Ontario, 2000

Vikky Alexander: Vaux-le-Vicomte Panorama, Contemporary Art Gallery, Vancouver, BC, essay by Ian Wallace, 1999

Vancouver Perspectives, Vancouver Art Gallery, Yokohama, Japan, Greg Bellerby ed., 1996

Beneath the Paving Stones, Charles H. Scott Gallery, Vancouver, British Columbia, 

curated by Robert Kleyn, 1994

Mercer Union, Toronto, Ontario, Ihor Holubizky, 1993

Reflecting Paradise Taejon, Korea, 1993 Jeffrey Spalding ed., 1993

Contact Sheet #74, Light Work, Syracuse, New York, 1992 , Jeffrey Hoone

Experience of Landscape, Whitney Museum Downtown, New York, New York, Karl Willers, 1992 

Wasteland, Fotographie Biennale Rotterdam, Rotterdam, Netherlands, Bas Vroege, 1992

Practising Beauty, Art Gallery of Hamilton, Hamilton, Ontario, April, Ihor Holubiszky, 1991

Cruciformed, Cleveland Center for Contemporary Art, Cleveland, Ohio, David Rubin, 1991

Un-natural Traces, Barbican Art Gallery, London, England, Carol Brown and Bruce Ferguson, 1991

London Life Young Contemporaries, London Regional Art Gallery, London, England, Peter Day, 1990

Vikky Alexander: Glass (Not) Sculpture, Bruce Ferguson, Kunsthalle Bern, Switzerland, May 1990

Between Traditions & Oblivions: PastFutureTense, Vancouver Art Gallery, Vancouver, British Columbia, curated by Gary Dufour, 1990 

PastFutureTense, Winnipeg Art Gallery, Winnipeg, Manitoba, September 1990, Bruce Ferguson

With the Grain, March 1990 , Roni Feinstein

Towards a History of the Found Object, Mendel Art Gallery, Saskatoon, Saskatchewan, January, 1990

Just what is it that makes today's homes so different, so appealing? Hyde Collection, Glenn's Falls, New York, Dan Cameron, 1991

Hybrid Neutral, ICI, New York, New York, essay by Collins and Milazzo, 1989Emily Carr College of Art, Vancouver, BC

Media Post Media, Scott Hanson Gallery, New York, New York, Collins and Milazzo, 1988

Abstraction in Contemporary Photography, Emerson Gallery, New York, New York, Andy Grundberg and Jerry Saltz, 1988

Stride Gallery, Calgary, Alberta, Brian Wallis, 1988

Experience of Landscape, Whitney Museum Downtown, New York, New York, Karl Willers, 1988

Sequence (con) Sequence, Bard College, Annandale, New York, Julia Ballerini, 1988

Reconnaissance, Walter Phillips Gallery, Banff, Alberta, introduction by Daina Augaitus, 1987

Perverted by Language, Hillwood Art Gallery, LIU, New York, New York, Robert Nickas, 1987

Material Fictions, 49th Parallel, New York, New York, essay by Ron Jones, 1987

The Art of the Real, Galerie Pierre Huber, Geneva, Switzerland, Robert Nickas, 1987

New Territories, Oliva, Rome, Italy, Bonito Achille, 1987

Arts and Leisure, The Kitchen Group Material, New York, New York, 1986

Rear Window, The New Museum of Contemporary Art, 1985

Appearing, Mt. St. Vincent University, Halifax, Canada, Bruce Ferguson, 1983 





bibliography———

2024   
Bassnett, Sarah, & Parsons, Sarah “Photography in Canada, 1839-1989” Art Canada Institute 

2021   
Campbell, James, “Vikky Alexander: Nordic Rock” Ciel Variable #116, Winter 2021, p. 84 

2020   
Sinkewicz, Alison, “Reflections of Desire: Vikky Alexander,” Bomb Magazine, April 13, 2020, https://bombmagazine.org/articles/reflections-of-desire-vikky-alexander-interviewed/
Andrieux, Caroline, “Vikky Alexander, Nordic Rock à la Fonderie Darling,” 

Revue Point Contemporain, #16, mars, avril, mai, 2020,
http://pointcontemporain.com/vikky-alexander-nordic-rock-fonderie-darling-montreal-canada/
Laurence, Robin, “Vikky Alexander: Extreme Beauty at Vancouver Art Gallery,” Border Crossings Magazine, Vol 38 No 4 Issue 152, pp. 134-135

Blanchette, Manon, “Métaphore des matières: Noordic Rock de Vikky Alexander”, Vie Des Arts, #260 Vol. LXV, Fall 2020, pp. 63-65.

2019   
Irvine, Karina, “Vikky Alexander’s ‘Extreme Beauty’ Is an Escapist Fantasy to Be Bought and Sold,” Frieze Magazine, December 12, 2019, https://frieze.com/article/vikky-alexanders-extreme-beauty-escapist-fantasy-be-bought-and-sold

Hosein, Lise, “A retrospective can be the culmination of an art career. But for Vikky Alexander, it’s a beginning,” CBC Arts, October 29, 2019, https://bit.ly/3eMuz80

Brackett, Donald Brackett, “ Eye of the Beholder: The Extremity of Vikky Alexander,” Critics at Large, September 7, 2019, https://bit.ly/2xVKbW1

Jow, Tiffany, “ Vikky Alexander: Artificial Intelligence,” Gray Magazine, Issue 46, June 2019, pp. 90-95
Abel-Hirsch, Hannah, “Vikky Alexander: Extreme Beauty,” British Journal of Photography, July 8, 2019, https://www.bjp-online.com/2019/07/extreme-beauty/

“Vikky Alexander: Extreme Beauty,” Galleries West, July 19, 2019
https://www.gallerieswest.ca/events/vikky-alexander-extreme-beauty/
Wilkinson, Jayne, “Vikky Alexander: Extreme Beauty,” Canadian Art, Summer 2019

“Vikky Alexander: Extreme Beauty,” Vancouver Art Gallery Newsletter, Summer, Issue 50, pp. 12-13
Osberg, Annabel, “Vikky Alexander – Vertical Dreams,” Artillery Magazine,
January 2,2019, https://artillerymag.com/vikky-alexander/

2018   
Rynor, Becky, “ Framed reflections: An Interview with Vikky Alexander,”
National Gallery of Canada Magazine, December 19, 2018
https://www.gallery.ca/magazine/artists/interviews/framed-reflections-an-interview-with-vikky-alexander

Wheless, Avery, “ Imaginary Worlds,” Artillery Magazine, November 28, 2018, https://artillerymag.com/imaginary-worlds/?fbclid=IwAR3ZGa7-ScvA9GetIQxnj8rLaBX3H_Zugin3A2jAk4Vqf9STWKPpngj09Uc   

Tousley, Nancy, “ Vikky Alexander: Other Fantasies,” Border Crossings Magazine, Volume 37 No 3 Issue 147, pp.146-147
Sorrell, Lindsay, “Vikky Alexander,”Akimbo Blog, May 2, 2018,
http://www.akimbo.ca/akimblog/?id=1354

Sandals, Leah, “The Many Lives of Vikky Alexander,” Canadian Art Online, April 16, 2018, https://canadianart.ca/features/vikky-alexander-interview/

Art Viewer, “Vikky Alexander: Between Living and Dreaming,” April 1, 2018,
http://artviewer.org/vikky-alexander-at-cooper-cole/   

2017   
Cole, Travis, “The Dark Arts Residency at the Banff Centre,” InStudio Magazine, December 14, 2017

Campbell, James D., “Vikky Alexander: Unnatural Horizon,” WhiteHot Magazine, January 2018, https://whitehotmagazine.com/articles/alexander-unnatural-horizon-l-escalier/3870

Kron, Cat, “What happens to copy as it ages?” Artforum, May 2017

Smith, Janet, “Vancouver female photo-art masters get the nod in Scotiabank Photography Award longlist,” Georgia Strait, February 7, 2017, http://www.straight.com/arts/866216/vancouver-female-photo-art-masters-get-nod-scotiabank-photography-award-longlist

Siebert, Amanda, Seeking new perspectives: Women break ground at the 2017 Capture Photography Festival, Georgia Strait, March 29, 2017, http://www.straight.com/arts/887436/seeking-new-perspectives-women-break-ground-2017-capture-photography-festival

Gopnik, Blake, “Does Vikky Alexander, a Canadian, Have to Make Canadian Art?,” Art Net, February 14, 2017, https://news.artnet.com/opinion/vikky-alexander-downs-ross-857714

2016   
Osberg, Annabel, “ A Room Is a Cage, The World a Zoo in the Collages of Vikky Alexander,” Huffinton Post, http://huffingtonpost.com /annabel-osberg/the-collages-of-vikky-alexander_b_5907910.html

2015   
Rhodes, Ric, Haunting Holbein: Vikky Alexander, Christian Eckart, Evan Penny, essay written to accompany eponymous exhibition held at Art Toronto (2015) and at TrépanierBaer (2016)

Zimonjic, Peter. “Gen X Goes to the Mall: Store/Fronts at MOCCA," National Gallery of Canada Magazine, January 27, 2015, http://www.ngcmagazine.ca/exhibitions/gen-x-goes-to-the-mall-store-fronts-at-mocca

“Vikky Alexander and Rochelle Goldberg at The Apartment, Vancouver,” Mousse Magazine Italy, January 13, 2015, http://moussemagazine.it/alexander-goldberg-theapartment/

Interview with Brainard Carey of the Museum of Nonvisible Art at Yale Radio, December 14, 2015, http://museumofnonvisibleart.com/interviews/vikky-alexander/

2014    
Osberg, Annabel. “A Room Is a Cage, The World a Zoo in the Collages of Vikky Alexander” Huffington Post, September, 2014

2012   
Hacking, Juliet. Photography The Whole Story, Thames and Hudson/Prestel
Pakasaar, Helga. “C.1983”, Presentation House Gallery, North Vancouver

Laurence, Robin. “ Cut and Paste is a smart and visually engaging collage exhibit.” The Straight, Vancouver, June 5th, 2012

“An Interview with Vikky Alexander,” Here and Elsewhere, May 15th, 2012 www.hereelsewhere.com/see/vikky-alexander/

Griffin, Kevin. “Exhibition follows photography’s rise in ‘80’s” The     Vancouver Sun, April 7th, 2012. Review of C.1983 Part II  at Presentation House Gallery; image of St. Sebastien by Vikky Alexander

2010       
Busch, Jes. “Vikky Alexander: Layers of Reflection,” Side St. Review, Winter 2010, pp. 54-61

Tousley, Nancy. "Shiny reflections on a capitalist society," Calgary Herald, May 6th, 2010

2009       
"Picture-perfect finish to construction of Intracorp's Camera," Vancouver Sun, April 25, 2009

2008       
Anderson, Jack, "Messages reflected in work of artists," Regina Leader-Post, April 3,2008

2007       
Tousley, Nancy, "Snakes in the Garden." Calgary Herald, March 4, 2007

2006   
Wiarda, Andrea. “Intertidal: Vancouver Art and Artists”, Flash Art, March/April 2006

Burnham, Clint. “Vancouver artists on display in Belgium”, Vancouver Sun, Feb.25, 2006

R.M.Vaughan. “Antwerp Diary”, Canadian Art, Summer 2006

Pemberton, Kim. “We Spread out to enjoy a Millionaire’s Playthings”, Vancouver Sun, Feb.11. L9, 2006

2005   
O’Brian, Amy. “Vancouver artists make waves around the world”, Vancouver Sun, Dec.17 L9

2004   
Laurence, Robin. “Alexander Alludes to Ideal”, Georgia Strait, Nov.25 – Dec.2, 2004

Dault, Julie. “Nova Scotia’s Gallery Gives and Receives”, National Post, Dec.16, 2004

2003       
“Jan Tumlir Talks to James Welling”, ArtForum, April 2003, pp. 216-217

 Tousley, Nancy. “Images of Desire”, Calgary Herald, April 19, 2003, p. ES7

2000     
Laurence, Robin. "New Views of Rooms with a View", Georgia Straight, November 9, 2000, p. 68

“Alexander Alludes to Ideal”, Georgia Straight, November 25 – December 2, 2004,     p. 64

O'Brian, Melanie. "Vikky Alexander", Catriona Jeffries Gallery, Vancouver

Scott, Michael. " Room full of dreams", Vancouver Sun, Sunday, October 8, 2000, p. D20

1999   
Laurence, Robin. "The Advantage of Being Vikky", Canadian Art, Spring 1999, pp. 62-65

Long, Timothy. "Recent Acqusitions: Vikky Alexander", Vista, March/April/May, 1999

Scott, Michael. "Garden of distortions", Vancouver Sun, Monday, February 8, 1999, B8, 10

Wallace, Ian. "Vikky Alexander: The Mirage of the Sublime", Vikky Alexander: Vaux-Le-Vicomte Panorama, Contemporary Art Gallery, Vancouver, 1999, pp. 19-28

1998
Pakasaar, Helga. "Vikky Alexander", AGW Quarterly, Winter 1998/99

Mallon, Matthew. "All Girls School", Western Living, Winter 1998, pp. 14-17, 

Tousely, Nancy. "Viewer offered artificial world", Calgary Herald, Saturday, February 28, 1998

1997   

Bellerby, Greg,  "Foreward", Vancover Perspectives, catalogue. p.6

"Where do we live....", Canadian Art, Spring 1997, p. 25

Raczka, Robert. Environments, exhibition brochure, Pittsburgh Centre for the Arts, 1997

Laurence, Robin. "Show's contributor's draw the line on graphic question", Vancouver Sun, 1997

Lin, Mun-Lee. Vancouver Perspectives, catalogue foreward, p. 4, 1997

1996   
Laurence, Robin. "A la recherche du temps perdu", Georgia Straight, March 21-28, 1996

"Between Dreaming and Living", Georgia Straight, December 2-9, 1996

"Retrospective slinks between real and dreamed worlds", Georgia Straight, December 5-12, 1996

"Postcards and Paris Scenes Manipulate Perceived Realities, Georgia Straight, March 21-28, 1996

1996   
Hurtig, Annette. "The Culture of Nature", Art and its Practices (An Investigation of Contemporary Art), Kamloops Art Gallery, Kamoops, BC, 1996

Tousley, Nancy. "Reviews: Photo exhibition has a Las Vegas shimmer," Calgary Herald, February, 1996

Rimmer, Kate. Reviews: Crystal Clear, Fast forward, Calgary Herald, 1996

1995   

Rubin, David. "It's Only Rock and Roll", Phoenix Art Museum, Phoenix, Arizona

1994   

Feinstein, Roni. "Report from Toronto", Art in America, July 1994

1993   

Absolut Vodka Benefit Ad, American Photographer, May 1993

Hagen, Charles.  "Commodity Image", New York Times, May 1993

1993   

Hartshorn, Willis. Commodity Image, exhibition brochure, International Centre of Photography, Midtown, New York, 1993

Holubizky, Igor. "Vikky Alexander", exhibition companion, Mercer Union, Toronto, 1993

Laurence, Robin. "Modern Conventions Defied", Vancouver Sun, Saturday review, July 31, 1993

Watson, Petra. "Reviews", Border Crossings, Summer 1993

Tousley, Nancy. "Vikky Alexander: Modern Landscapes", Canadian Art, Fall

"Spectacle of consumerism revealed in Modern Landscapes"", Calgary Herald,  March 1993

Pauls, Naomi. "Profile", Georgia Strait, August 1993

Kleyn, Robert. "Beneath the Paving Stones", Beneath the Paving Stones, catalogue essay, pp. 53-64, 1993

Shaw, Nancy and Robertson, Lisa. "A Sunday Drive", Beneath the Paving Stones, catalogue essay, pp. 5-16, 1993

1992   

Druckery, Tim. "From Wasteland to Toxicity: Rediscovering Nature as Information", Wasteland: Landscape from Now On, pp. 25-31

Dufour, Gary. "An Always Absent Original", Vancouver Art Gallery, May 1992    Gierstberg, Frits and Vroege, Bas, "Introduction", Wasteland: Landscape          from Now On, pp.3-6

Graff, Jan. "empty sites", Wasteland: Landscape from Now On, pp. 17-22

Hagen, Charles. "Ellen Brooks & Vikky Alexander Camera Cut-ups", Interview, April 1992

"Fast Forward", Canadian Art, Volume 9, Number 1, Spring/March 1992

Hoone, Jeffrey. "Vikky Alexander", Light Works grants catalogue, Syracuse, New York

Jenkins, Steven. "Secondhand Land", Artweek, April 23, 1992

Laurence, Robin. "Arcadia/Utopia", Vancouver Sun, July 31, 1992

Lemaire, Ton. "between wilderness and wasteland", Wasteland: Landscape from Now On, pp. 9-14

Read, Michael. Friends of Photography Newsletter, March 1992

1992   

Tolnick, Judith. "Frame Up ! An Introduction", Frame Up!, exhibition companion, Main Gallery, Fine  Arts Complex, University of Rhode Island

Tousley, Nancy. "Fast Foreward", Canadian Art, Volume 9, Number 1, Spring 1992

1991   

Ferguson, Bruce. "Un-Natural Acts and Tongue Ties, Un-Natural Traces: Contemporary Art from Canada, Barbican Art Gallery, London, pp. 11-15

Solomon-Godeau, Abigail. "Photography at the Dock", Minnesota Press, 1991

1990   

Aquin, Stephanie. "faux et usage de Faux", Voir, april 30, 1990

Barrett, Terry. "Criticizing Photographs", Mayfield Press, 1990

Dufour, Gary. "Between Traaditions and Oblivions", Pastfuturetense , catalogue essay, pp. 24-30, illustration, p. 31, Vancouver Art Gallery, Winnipeg Art Galery

Feinstein, Roni. "With the Grain", With the Grain, catalogue essay, Whitney Museum of American Art @ Phillip Morris

1990   

Ferguson, Bruce. "Pastfuturetense: or What is a Meta For?", Pastfuturetense, catalogue essay, pp. 6-13, Vancouver Art Gallery, Winnipeg Art Gallery

"Vikky Alexander: Glass (Not) Sculpture", exhibition companion, Kunsthalle Bern, 1990

1989   

Duncan, Ann. " Victoria artist's wry urban images a hit in New York", The Gazette, Montreal, December 23, 1989

"LMCC Present Park Spruces Up" Lower Manhattan Cultural Council, 1989

Willers, Karl Emil. "The Experience of Landscape: Three Decades of Sculpture", exhibition companion, Whitney Museum of American Art Downtown, New York

1988   

Hoy, Anne.  Fabrications, Abbeville Press, 1988

"International Style", New Observations, Issue #55, 1988

Salvioni, Daniela. "Reviews", Flash Art, May/June 1988

Schwendenwein, Jude. "Reviews", Artscribe, June 1988

Tousley, Nancy. "Art gallery is represented as a designer showroom", Calgary Herald, May 12, 1988

"Profiles", Canadian Art, September 1988

Wallis, Brian, "Vikky Alexander", catalogue essay, Stride Gallery, Calgary, Alberta

1987   

Augaitus, Daina, Reconnaissance", Banff, Walter Phillips Gallery

Braff, Phyllis. "Language Becomes the Medium of the Message", New York Times, March 1, 1987

Cameron, Dan. "Post-Feminism", Flash Art, Feb/March 1987

Campitelli, Maria. "Reviews", Juliet Art Magazine, Oct/Nov 1987

Ess, Barbara and Branca, Glenn, Editors. Thought Objects, JAA #7, 1987

Handy, Ellen. "Reviews", Arts Magazine, May 1987

Harper, Glenn. "Reviews", Art Paper, February 1987

Levin, Kim. "Reviews", Village Voice, February, 1987

Linker, Kate. "Reviews", Artforum, Summer 1987

Lipson, Karin. "A few words on art", Newsday, February 20, 1987

Stretch, Bonnie Barrett. "Contemporary Photography", Art & Auction, May 1987    "Vertical Dreams", C Magazine, No 12, 1987

1986   

Cohrs, Timothy. "Reviews", Arts Magazine, December 1986 

Collins and Milazzo. "Tropical Codes", Kunstforum, March/May 1986 

Decter, Joshua. "Reviews", Arts Magazine, March 1986

Hagen, Charles. "Reviews", Artforum, April 1986

Handy, Ellen. "Reviews", Arts Magazine, March 1986

"Reviews", Arts Magazine, September 1986

Serafin, Bruce. "Reviews", C Magazine, #10, Summer 1986

"New Faces", American Photographer, February 1986

1985   

Davis, Douglas."Seeing isn't Believing", Newsweek, June 3, 1985

Indiana, Gary.  "Voice Pick", Village Voice, June 11, 1985

Linker, Kate. "Reviews", Artforum, March 1985

Robinson, Walter. "Reviews", Art in America, April 1985

Wallis, Brian. "News from Nowhere", New Museum of Contemporary Art, statement, September 1985 

1984   

CEPA Newsletter, February 1984

Solomon-Godeau, Abigail. "Winning the Game When the Rules Have Been Changed: Art Photography and Postmodernism", New Mexico Studies in the fine Arts 7 (1983), reprinted in, Screen, Vol 25, No 6, Nov/Dec 1984

"Canada/New York"., Review, Vanguard, Summer 1984, p.36

1983   

CEPA Newsletter, September 1983

Duncan, Anne. "Profile", Montreal Gazette, Dec. 23, 1983

Lichtenstein, Therese. "Reviews", ArtsMagazine, February 1983

"Reviews", Arts Magazine, March 1983

1982   

Grundberg, Andy. "In Today's Photography, Imitation Isn't "Always Flattery", New York Times, Sunday, November 24, 1982

Solomon-Godeau, Abigail. "Playing in the Fields of the Image", Afterimage, Summer 1982

1981   

Graham, Dan. "Signs", Artforum, April 1981